Links with digital opportunities.
The Decisive Moment
Henri Cartier-Bresson – when you chose to take a picture that is the creative moment.
Photography is separated from a painting because it is a way of freezing time which is something scientists were looking into. A camera is an accurate record of this.
“Photography is the act of witness’
The decisive moment – the key point becomes the iconic image.
Photographers – Sam Shaw, Eddie Adams, Joe Rosenthal
Bresson said ‘You can’t correct it (a photograph), if you have to correct it, its the next picture.’
During in the industrial age these quotes help true.
Eadweard Muybridge – The Horse in Motion
Dr Harold Edgerton – Science and art, photograph was a tool for him. Looking into that decisive moment.
We can now consider the amateur vs professional because we now have the access to these cameras, where as in Edgerton’s time he had to make the cameras, not everyone had access to the technology.
Digital Advances
With raw files you can question Bressons previous quote because if it is underexposed you can edit it.
We can correct the mistakes after.
Lytro Camera
Challenges the making of images and the decisive moment.
Light field captures all the light within the image, you don’t have to worry about exposure. It has an 8x optical zoom and an instant shutter release.
Once plugged into a computer you can manipulate anything within an image, changing what you focused, refocus after the image has been taking. This camera questions the fundamentals of photography.
This changes the relationship between viewer, subject and photographer. (refer bad to horizons lecture) – it adjusts this relationship because it gives the viewer the chance to manipulate the images. Adresses the balance.
Flickr now accepts this.
Negative impact:
Dictates that we shoot images that work for the medium.
Changes the relationship between photographer and viewer.
Viewer is able to allow their horizon to shape the picture.
How does this translate to print?
Whether these are images that only live online and if it changes there worth.
The Red Camera
The ‘Every Moment’
5x resolution of a Canon 5D.
Used to make films – like The Hobbit, Transformers, Robocop.
Cinephotogrpahy – marks an evolutionary approach to photography. Takes a high resolution motion capture. Takes good quality images from within a film at a high resolution.
This is something I am interested in as in college I looked into film stills, I have never taken part within this (tried it) but it is something I am interested in as I am a big fan of films. However I do think it is different from photography and doesn’t need a photographer.
Cameras like these make us question the decisive moment as we can chose the event afterwards.
Sports photography is a good example of this is we could argue that it could be done via video, however a problem with this is that you can’t chose where the camera is or where the moment will take place. Weegee is a great example of capturing the moment and being at the right time and the right place.
Speed, Access
Image maker – Image Curator
Elinor Carucci – ‘I love the limitation of the information you get. I love the mystery of one frame 9about photography)’
the photographer becomes the curator.
Google Steetview
Occupies a different sort of time-space.
We have no knowledge of when the street view images were taken, making it interesting and challenging your emotions because it makes you question it.
‘non-moment’
Very film like.
Aaron Hobson – Street view images with the google icons removed – challenges whether they are his images, re-approriations, or goggles street view images.
Michael Wolf – streeview images with the mouse left in and pixels can be seen. He’s referencing google street view, paying homage and not hiding the fact that its from street view. He is becoming a curator.
With these images I personally don’t like them, I am not a big fan of appropriation but I do see that there is art behind it and how it links with the decisive moment and how it it is a way of curating someone else’s work and paying homage to it. It is like a form of flattery.
Paolo Patrizi
Travis Shaffer’s – work with google earth – Eleven Mega Churches.
Henri Cartier-Bresson – ‘Photography has not changed since its origin except in its technical aspects, which for me are not important.’
My Reflection
This lecture was rally interesting, it was interesting to see how this links into digital natives and really questions the power relationship between photographer and viewer. It is digital advances that is making photography more accessible and easier for amateur photographers and its cameras like the Lytro that is making it easier for them, this camera is also the camera that could question the power relationship between the viewer and photographer and it literally gives them the power to change the image after it has been taken. I believe it is things like this though that separates the amateur from the professional as its that dedication to time that shows creativeness as its what makes us critical as we are choosey with our frames. We are the curators, David Bailey – ‘Photography is more about money now but then so are most things.’this is how its seen but to me photography is not something that can be purchased its what you can create! I do not think it is the death of the decisive moment, I think this makes professional photographers strive all the more to create the decisive moment and to me this something that is needed within things like documentary photography. Looking into google street view links back to our lecture on appropriation, as it is a form of recreation, taking an image from google earth or street view and then turning it into something new, a different way to use this technology and turn it into a new art form! I am personally not a big fan of this though.
‘Photography has not changed since its origin except in its technical aspects, which for me are not important.’ – Henri Cartier-Bresson.
– I loved this quote! As I really agree with it, I feel you could have the best camera in the world, the most technologically advanced one compared to someone with maybe a film camera or a cheap DSLR but if you cannot creatively think what you want from your surroundings then you have nothing, an image with no creativity or concept. That is what separates the amateur from the professional, creativeness.